I am an artist and composer exploring the poetics of acoustic perception and temporal experience through the use of elemental resonances and the intentional shaping of musical forms. My music often serves as a personal reflection on humanity’s fraught and miraculous place in the world, drawing on feelings of awe at the deep evolutionary and cultural history of our species, alongside a sense of grief at the accelerating destruction of the natural world by contemporary societies. This gives rise to a basic fascination with balancing organic and inorganic sonic materials, rational and irrational harmonies, austere and complex textures, and stabile and volatile musical morphologies. 

I often utilize notation, DIY instrument building, extended microtonality, electronic sound design, and creative coding in my compositional process. In addition to this, I have made experimental films alongside sound works, which I see as a natural extension of my compositional impulses. 
My music has been performed by ensemble mosaik, Yarn/Wire, ekmeles, Schallfeld Ensemble, and others at Ultraschall and Klangwerkstatt in Berlin, Bludenzer Tage zeitgemäßer Musik and Klangspuren Festival in Austria, Rainy Days in Luxembourg, Tanglewood Music Center, Ann Arbor Film Festival, Festival El Contemporáneo in Tenerife, and Hangzhou Contemporary Music Festival in China. Upcoming engagements include a commission from Santa Fe Chamber Music festival for the JACK Quartet.
I currently live in New York City, where I received my doctorate in music composition from Columbia University.

I have a new album out, 'Firmament', on Gold Bolus Recordings alongside Alec Goldfarb, featuring my work sky goes dark for microtonal harpsichord and ensemble.